In this way, Yoko Ono challenges us to reimagine a war game that has been played for almost 1800 years in a modern context. They can mutually forfeit the game, or they can establish new rules in order to extend their interaction with each other. That leaves the players with two choices. ![]() When play begins, it is only a matter of minutes until the opponents cannot determine which pieces are theirs. Consider the way that Ono designed her version of the classic board game: every space on the board and each players’ pieces are silk white. One of the most engaging aspects of the modernist movement is the assurance that one does not need to be an outstanding painter, sculptor, musician or writer to produce a nuanced work of art, and Yoko Ono’s White Chess Set is an excellent example of this. ![]() It was not the only time I heard someone ask this question during my visit, and I too occasionally wondered whether I could create something worthy of critical and public observation. “How is this art? Anybody could have done this!” In my first visit to the Museum of Modern Art (MoMA), I overheard this in the courtyard as a couple glanced upon Yoko Ono’s White Chess Set (1966).
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